Tuesday, December 14, 2010

Meet "Arielle" -- the Sex Doll Literary Agent!

Not an agent who represents sex dolls, but a sex doll who is the public face of a literary agency.

I wish this was a joke. I really do. I'm anticipating weird links to show up in my email, but it's too hilarious not to blog about.

Or too creepy. You decide.

You know how some websites will have a little animated person to walk you through things? I don't care for those, finding them annoying, but some people like them.

However, those cost money to make. I suspect the genius behind this epic fail of a sales pitch took a look at his resources--pics of a sex doll  posed against various backgrounds--and a little light went off. "Hey, I can have something like those animated things and it won't cost nearly as much!"

I'm not worried that writers will actually go to this--um--agency. Anyone with working braincells knows that paying an agent a fee to sell one's book is only slightly less productive for one's career than flushing the cash directly down a toilet.

The Mocknick Productions Literary Agency is a fee-charging entity. The fees have gone from 450.00 to represent a writer to a whole 500.00 according to my source.

Fee-charging agencies are no friend to any writer.

For instance, MPLA have no pics up of any books they've actually sold.  But Mr. Mocknick seems to have plenty to say about himself through his "representative," Arielle.

Who is a sex doll.

Okay, nothing wrong in that, lots of people date sex dolls. But you'd think that when it comes to business that Mr. Mocknick would keep his personal life separate. Or at least have a pro in to do Arielle's hair and makeup. Must have been a hell of a weekend!

Instead of displaying books sold to commercial publishers, this single-page website sports a series of slide show videos starring this doll--again, I am NOT kidding! Melodramatic music plays in the background as we're treated to stills of the doll with informational captions.

Now if one has even one working braincell on crack this should scare the living crap out of you because you could die laughing. Seriously, you could. I almost called 911 to get some oxygen in, and the phlegm is still making me cough.

Oh--bonus fail points: you can't watch the vids on the website. When you click play, you have to click again to go to YouTube. Doesn't that just fill one with confidence?

Beverage alert people. I MEAN it.

Hello again! Back from the hilarity? Do you need a spork, eye bleach, or a blanket to hide under? Are you laughing or creeped out? Both?

Are you even remotely tempted to toss your hard-earned money over to this person and his lovely date?

If so, then let me conduct an autopsy on some of the claims made. Gather close, gang, this should be FUN!

Mocknick: We like all potential clients to know we don't charge reading fees, but if we represent them, there's an annual contract fee of 450.00 (now 500.00).

Mighty generous of you! It's also a certainty that you're motivated (to the tune of 500 bucks a pop) to "represent" anyone who bothers to send a manuscript. While I'm sure you might reject the ingredient list from a cereal box that's been repeated for 300 pages, everything else is a potential income stream and not likely to be rejected.

Mocknick: The covers pitching, submissions, phone calls, contract negotiations (in the event of a sale) and all aspects of representation.

You mean all the stuff that other literary agents do without collecting a fee until AFTER they sell a book.

This motivates them to sell work to publishers, not sit on their thumbs collecting checks from writers. "In the event of a sale?"  Yes, I'm sure a sale IS quite an event for this outfit! There's no evidence you've ever had one.

Mocknick: We inform people of this upfront, so there are no games or surprises.

Other than the slide show itself. Put up a beverage alert, why don't you?

Mocknick: According to certain websites, it is not a "standard practice" for an agency to charge upfront fees. 

Yes, that would be those annoying agencies that actually sell books to publishers.

Mocknick: In reality it is a standard practice.

Indeed yes, for other fee-chargers.  Oh, look--there's YOUR name on that Thumbs Down list from Writer Beware! How did that happen?

Mocknick:  Most agents that don't charge fees are members of organizations that forbid them.

You mean like the Association of Authors' Representatives, a well-respected non-profit group that has standards to uphold and a quite reasonable Canon of Ethics?

Or perhaps you prefer the short-lived IILAA that rose and failed back in 2006? Isn't it funny that all the members of IILAA are also on that Thumbs Down list from Writer Beware? Hysterical.

Mocknick: What they don't mention is that these agents generally will not accept new writers unless they're already bestsellers.

Writers on any given bestseller list usually have a literary agent and are quite happy with that person's work, thank you very much. 

New writers are not likely to be bestsellers, since they're looking for representation to help them sell a first book in the first place. Duh.

Mocknick: The reason?

Moving my drink well out of the way...

Mocknick: The time, effort and expense pitching a known author is minimal, while pitching an unknown in a skiddish industry requires much more.

Much more what? Horse hockey? Is that what you mean by skiddish? Is that a word? Let me look it up. Hmm. Apparently not, according to WordKeeper: Made up words : Skiddish (skittish).  Maybe you meant "Scottish!" No? But I like the idea of guys in the publishing industry running around in kilts. It sure would add fun to those board meetings and long lunches!

If I am any example, even authors who have been in the industry for years can have a hard time selling a new book. My most excellent NON-fee-charging agent Lucienne Diver worked her butt off selling not one, but two different book proposals for me. It took her months, but she came up trumps. Checks are in the mail. She does this every day for all the writers she represents.

Newsflash, bub, it is not unknown for an unknown to land an agent and sell a book. 

Agents are always looking for the Next Big Name lurking in their slush piles. They live in hope.

Of course, if a fee-charging "agent" can get a desperate idiot to pay 500 clams from the get-go, then the fee-charging "agent" hardly needs bother to work. That's 10% of a 5,000.00 advance--though new authors are usually given much lower offers than that.  Yes, indeed, fee-charging agents are highly motivated to collect a check from writers and do nothing at all to earn it.

Mocknick: An agency that doesn't charge some type of fee for new writers will not stay in business long, so they have no choice.

You mean agencies like Spectrum (34 years), Donald Maass (20 years), JABerwocky (16 years), and The Knight Agency (14 years)? Yeah, that's some stack of epic fail, what with all those books they've sold and new authors they've discovered over the years.

Mocknick: If you have any questions, don't hesitate to ask.

Why don't YOU have any sales proudly displayed on YOUR site?  Don't you have any? To real publishers, that is, not vanity houses.


Oh--wait--here's the slide show with his girlfriend, I mean dollfriend, I mean--er--uh--oh, never mind.


Arielle: (dramatic music in background) My name is Arielle. I'm just a doll, right?

You nailed that one, you ARE indeed just a doll, and considering today's job market you're lucky to have a place doing slide shows like this instead of working in specialized porn videos! (Unless that's one of Mr. Mocknick's other income streams.)  I must say that you seem to be a fine product from one of the higher end manufacturers. So many others are just full of hot air!

Arielle: (forcefully, in an aggressive pose, hand on hip) Better think again!

Gasp! What DO you mean??

Caption card, supposedly from Arielle, since it's evident the voice actress will charge more for extra lines not copied from another video: I provide information to potential clients of the Mocknick Productions Literary Agency. 

You do? Seriously?

They're in deep trouble then.

Caption: We accept fiction, non-fiction, screenplays, children's books, memoirs, and any works of any genre

 How focused. (Not.)

--except pornography. 

The last one is wonderfully ironic considering their front office face is a sex doll.

The caption goes on to provide details, ending with a picture of the sex doll wearing sunglasses. Just as well, the eyes don't match up.

At least she keeps her clothes on. Not all literary agencies who use a sex doll as their spokesperson--uh--spokesdoll--uh--whatever--are so considerate!

But let's see what the CEO has to say about himself. Why he bothers with YouTube slide shows when it's less time-consuming to just put info on the website is beyond me. I suppose he's in love with Arielle or something.

The slide show claims Dave Mocknick has been writing since the age of six, and is a produced and published author.


A "produced" author? What the hell does that mean? And how much did you pay to get published, Dave?  Why aren't your vast credits and many sales listed on the website? Come on, show us your writer's resume!


He "has contact with" many large publishing and production companies. 

So do I. 

It's called Google.

He claims he's made the process as simple as possible; I can believe that, as instruction captions are displayed across pics of a (still fully clothed) sex doll.

If he sees potential in your work (and I'm sure a credit check is involved at some point) he sends a contract--which you return.  With your fee. 

Giddy galloping grannys, what did you say?  A fee??

Hauling ass out of here, bub. 

Violating Yog's Law is not the done thing for any writer.

Mocknick: Once you return your contract with the annual contract fee....we'll take it from there.

THAT I can believe! Straight to the bank while the check is still good--though I understand he also takes plastic for those writers in a hurry to get to the literary poor house.

I DO have other things to do today, but when on a riff, I tend to check things until my eyes bleed. I was not disappointed.

I clicked on another video featuring "Arielle" -- who is really a 4-foot tall terrorist fighter.

Um, yeah. Who works for a fee-charging literary agent.

So I'm 11 seconds into this slide show vid and there's Arielle posed cross-legged in a chair, wearing ruffled kiddie panties, a kid-sized shirt, her hair in pigtails, cutie socks on her feet, holding a stuffed dog.

A 4-foot tall sex doll dressed like a kid tripped my "DANGER, PAT ELROD" trigger, so I hit the stop button before I reached the gagging point and vomited.

Since no real child is involved in this creepy display, reporting it to the FBI is not a likely to be a productive option. I'm sure others have tried.

I will offer the opinion that this Mocknick person--if he's "beetleboy2007" --should probably not be your first choice to have as an agent in charge of your literary career. Worse things may be going on here than just charging fees.

If you're that desperate, write me, I'll help. It won't cost you a dime.

Or your self-respect.

Monday, December 13, 2010

Use It or Lose It: Support Your Local Bookstore!

For those keeping up with this sort of thing, you'll already know that like every other business, bookstores are suffering under a tight economy.

If you've not been in your local store lately, you'll immediately notice they're selling a lot more things than mere books. I was annoyed to see my favorite store had created new aisles for educational toys, converted their bestseller and new release section to selling e-readers, and the "employee's recommended" tables were altogether gone to make room for overpriced  e-reader accessories. Some stuff has been there for ages and become part of the background I ignore, but this year, it's really in-the-face.

I get irritated, but the stores have to diversify to stay in business.  Books are no longer enough.

Online ordering has cut into profits. Why buy a new book when you can get a used one for a lot less elsewhere? I can't argue against that; I have to do it myself when my poor battered bank account is screaming in pain.

Sales of e-books are also taking a bite from their profits. Why go to a store when you can download it more cheaply from your computer? Save some gas and a tree!

I'll likely do that too, though I won't get an e-reader for some considerable time. I have 300 hard copy books I need to read first. Plowing through them will allow time for those reader prices to drop.

But bookstores have other things to offer--especially to me. I use mine as part of my writing routine. When I get stuck, I go to my favorite and just hang out. All those millions of words can't help but have a positive effect on me, whether it's inspiration from a much-loved writer or another internal declaration "I can write better than THAT!" when glaring at hack work that somehow made it to the bestseller list.

I love my local store, though it is part of a mega-chain. They have good people working hard there, most know who I am, and they keep my books in stock. Certainly I don't want that to go the way of the dodo just yet! I browse, letting my mind soak in images and titles at random, not something I can do on a computer. I bring a notebook and jot stuff down for later, hoping it will develop into a new story.

Which has happened!

My glimpse for a half a second of a book cover in the mystery section sparked the idea for the new steampunk series I'm now writing. That couldn't have happened had I been at home staring at a screen.  I need that store. There are few in my area, and the indie-stores I used to go to have vanished, unable to compete.

Now the mega-stores are in danger. The warning signs are as clear as those brightly packaged toys that are filling shelves that once held books.

Let's not wholly give up buying books in stores in favor of convenience. Get out this week and visit a bookstore. Check the bargain bins for Christmas presents. Meet a friend there, have some overpriced coffee, cruise the aisles.

SHOP! 

Buy something

Use it -- or we ALL lose.

Wednesday, December 1, 2010

Dark and Stormy Cover Art Awards!

This is almost too cool!

The cover for DARK AND STORMY KNIGHTS  by CHRIS MCGRATH has been included in the ALL THINGS URBAN FANTASY 2010 Cover Awards.

I hope everyone will go vote and that the votes will be for my book in its category, but please---do filter out the text and names of your favorite writers and focus on the ART.

In this venue, it's all about the ART, not the words, so vote for your favorite image!





Sunday, November 21, 2010

Busy-Busy, and--um--BUSY!

Much as I'd love to post about my adventures at OryCon 32, I'm a bit busy today, so this will be a drop in, drop out update, just so you all know I'm not still in Portland.

Though goodness knows, the Voodoo Doughnuts there are so good they should be illegal and are certainly enough to tempt me to set up a permanent base!  I'll post more on that after I clear today's workload!

Right--update:

I've just signed two NEW book contracts!!! They've been in the oven since last summer, but only arrived this week. Yes, commercial publishing grinds slow, but very fine!

First--a new anthology!!!  HEX SYMBOLS for St. Martin's, an urban fantasy collection, is now a reality. Its contributors are a stellar lot:
  • Ilona Andrews
  • Jim Butcher
  • Rachel Caine
  • Carole Nelson Douglas
  • Simon R. Greene
  • Lori Handeland
  • Erica Hayes
  • Carrie Vaughn

---and your faithful editor!


No release date, sorry--the writers have to turn in their stories first!


The next contract is a long awaited project of mine--my first foray into the land of steampunk!

My excellent agent, Lucienne Diver of The Knight agency (shameless plug) closed a three- book deal with Tor for

ON HER MAJESTY'S PSYCHIC SERVICE


Titles have a tarot card theme: 1) The Hanged Man; 2) The Tower; 3) The Empress--and yes--of course the fate of the Empire is in dire peril!

In 1847, in reaction to increasing paranormal activity, Queen Victoria orders the formation of the Psychic Service, whose duty is to investigate such phenomena and either confirm or debunk it.  Of course the best psychics, physicists, and magicians in the realm are agents! 

This is an alternate history of England as well as a steampunk urban fantasy!

What's alternate?  Women get the vote in the 1850s.

Here ya go:



When informed at the age of ten that she was likely to be queen of England, it was reported that Her Royal Highness Princess Alexandrina Victoria of Kent replied, “I will be good.”
What she actually said was, “I will do good.”
Sometime in 1835—it is a well-kept secret—the sixteen-year-old princess escaped her highly managed routine and spent two weeks walking among commoners. The revelation of how ordinary folk lived and died made a profound impression on young “Drina.” She resolved to improve the lot of her people, especially that of women.
During this taste of freedom, she met the dashing Lord Arthur Godalming, who was in the right place at the right time to rescue her from street ruffians. It was love at first sight for both, and when she became queen two years later, iron-willed Victoria defied custom and changed law, allowing her to marry a peer rather than a prince.
The love match of Victoria and the Lord Consort Arthur marked the beginning of a new era of Enlightenment for England, and her progressive “Time of Women” policies changed the world.
The young monarch made her childhood declaration a reality.
Victoria’s Empire circles the globe, but the brass and steam progress of the Industrial Revolution has disturbed dark forces. Reason and science are in vigorous conflict with fear and superstition. The empress would not ignore the fact that something was supernaturally rotten in the state of England. In 1847 she called for the creation of a new department under the Ministry of Science.
This special branch, Her Majesty’s Psychic Service, is dedicated to investigating all matters supernatural, using the psychical gifts of those who serve in it to protect and preserve the realm.


The first book takes place in the winter of 1879.

Major players will be the Queen's god-daughter, Alexandrina Victoria Pendlebury (psychic forensics), Captain Claudius Miracle (airship pilot/mechanical engineer) and Alexander Humboldt Sexton (scientist/illusionist/debunking squad).   

They fight crime!  ;)

And now I have to WRITE this!  The first book has an April 2011 deadline.  Cheers!

Wednesday, November 10, 2010

Portland Bound!

I love going to science fiction conventions. Even after all this time, since discovering them soon after high school, they are still FUN.

My very first one got me hooked for life. By my standards today, it was amazingly lame: the dealer's room was about the size of my living room, there were no media guests, if local writers were on panels I didn't attend since I thought that sort of thing was only for published writers, not Mr. Spock fans. The media track was a tiny room with a screen and a projector clattering away with a Marx Brothers movie, The Big Store. The costume contest had three entries, all of them bad.

It was magic. Life-changing magic. Thank you Larry Herndon, not the ball player, but the much missed owner of Remember When in Dallas. It's all his fault! So thank you, Larry!

Soon as I learned there was to be another convention in the area in a few months and that they'd have a costume contest with cash prizes I went on a money diet to save up for the event.  While sewing my first Star Trek costume I was unfairly dubbed a "tightwad" for not spending money at home, but a "spendthrift" for blowing it on stuff at the convention. (You can't please some people. Ever. So ignore them.) 

My attempts at costuming were rewarded over the years. My impersonations of Harpo Marx, Wonder Woman, Red Sonja, Princess Ardala, and Princess Leia all grossed cash or other coolness in the end. I worked a job to earn enough to pay for the next convention and had a vague idea I would someday be a writer. In the meantime I had to save and save for my next fannish fix.

That was ***** years ago and the habit is still in place. These days my convention budget is less focused on buying pictures of favorite actors and more on books or an occasional bit of art--oh, yeah, minor things like hotel rooms, food, and transportation, too.  I came to learn that those panel talks with writers were fun and instructive, and a danged good chance to find out how things work in an alien world.

By that I mean the publishing industry, not Mr. Spock's home planet, which has the hot climate.  (Hot? You call that hot?? Vulcan summers are on a level with a Texas winter when it comes to optimal heat stroke conditions, baby, so don't shake those pointy ears at me!)

I'm not sure just when I traded going to guest actor panels for panels featuring guest writers. There was nearly a decade where I was busy working for a wage and not writing at all, and didn't have money to go to conventions.  But there came a tipping point at a local event when I was informed it would be a really good thing to check out a specific writing panel. Robert Asprin and a publisher would hammer out a book contract deal right there in the room.

It was a bit less life-changing than seeing The Big Store on a big screen, but still made an impression.  Somehow, my thick skull absorbed the fact that people DO actually get paid for writing and can get paid a lot. The idea of making money by sitting alone in a room talking to myself seemed pretty danged nifty.

Even better--I found out writers could get into conventions for FREE. Okay, that got my attention. 

The equation was published writer = free pass to fun at a convention. Hot puppies, where do I get in line?

If you're reading this, then you know that worked out.

And tomorrow I get another "free" pass to a big convention as guest of honor at the 32nd OryCon in Portland.

Wow. Had anyone told me while I was on my way to see that Marx Brothers movie that something like this was in store, well, I was a moron back then and wouldn't have known what to make of it.  I am glad it happened, though!

It ain't exactly free, hence the quotes. I'm well aware that a number of people I've never met are busting their butts to put together a very complicated event. Their efforts are paying and paving my way in, and I don't forget it for an instant.

I expect to have an amazing amount of fun, but will be doing my best to earn my keep and justify their trust. They didn't have to invite ME to their convention. There's plenty of other writers out there, so I'm grateful for the honor. I've a busy panel schedule, but guest relations people are already looking after me like I'm visiting royalty.

Conventions are a working vacation to me but that's okay. I'm danged lucky to have a job that where the work is a joy. I love this part of it. Were I to just fly to another city and fend for myself as a tourist, I could manage, but it is more fun to hang out with other fans and talk shop.

Toward that end, I have much prep to do today. It's been a few years since I've gone so far from home base. I've a house-sitter to hold the fort and am cleaning the place up since it's a nasty shock to come back to a mess. No one wants to clean after a long trip.  I have to figure what to take, keeping in mind weight limits for baggage and my own strength limits. Experience has taught me that trying to sprint across an airport while carrying 75 pounds of gawd-knows-what in EACH bag is a bad idea.

Don't know if I'll be able to blog or make FaceBook posts while there. I'm no tweeter. But maybe other guests less technically-challenged can keep everyone filled in on events.

And no, I absolutely will NOT behave myself!  ;>)

Thursday, November 4, 2010

Writers Call Shenanigans on Editor Judith Griggs for Theft

If any of you have seen my FaceBook page, The Smart Bitches Blog, or any of a growing number of writer  / blogs / today, then you know that Judith Griggs, editor of the grammatically-challenged Cooks Source Magazine, is getting a serious public drubbing as a thief.

Yes, I know, innocent until proven guilty, but this one sure walks and quacks like a duck, whether roasted or trolling the pond for snacks--or copyrighted articles to reprint, minus permission and payment.

Author Monica Gaudio was tipped off that her 2005 piece on apple tarts was in the latest issue of Cooks Source.  

Ms. Gaudio contacted the editor. How could her article be available when the magazine had not gotten permission to reprint and perhaps pay for the privilege? 

(I tried to put a link to the original page with the recipe, but it has been disabled on the http://www.godecookery.com/ site, which is too bad.)

An e-mail exchange followed, with the author making wholly reasonable demands to compensate for the theft of her copyrighted material:

"I wanted an apology on Facebook, a printed apology in the magazine and $130 donation (which turns out to be about $0.10 per word of the original article) to be given to the Columbia School of Journalism." -- Monica Gaudio [Quoted from Ms. Gaudio's LiveJournal blog as are the excerpts below. -- P.N.E.]

Instead of a groveling apology, Griggs shot back a patronizing mail:
"Yes Monica, I have been doing this for 3 decades, having been an editor at The Voice, Housitonic Home and Connecticut Woman Magazine. I do know about copyright laws. [Evidently NOT!] 

It was "my bad" indeed, and, as the magazine is put together in long sessions, tired eyes and minds somethings forget to do these things.  [Like proofread and use the spell check?]

But honestly Monica, the web is considered "public domain" [W-T-F???]  

and you should be happy we just didn't "lift" your whole article and put someone else's name on it!   [ I'm sure she's thrilled to bits that this is theft, not plagiarism. Yes. I imagine her lawyer will be thrilled, too.]

If you took offence and are unhappy, I am sorry, but you as a professional should know that the article we used written by you was in very bad need of editing, and is much better now than was originally.  [Apparently Griggs-the-Bleeding-Oblivious was unable to grasp that the original site's Medieval spellings were intentional. Now that this has broken and gone viral, she's likely experiencing the joys of countless writers, editors, and readers going Medieval on her arse. In public.]

We put some time into rewrites, you should compensate me!  [All together now: W-T-F????]

I never charge young writers for advice or rewriting poorly written pieces, and have many who write for me... ALWAYS for free!

Which seems to be how she prefers to acquire her articles. A number of energetic google-fu surfers have found LOTS MORE apparently stolen articles.

Chances are good that Cook's Source will remove their FB page, what with all the ultra-negative wankage that's up, so here's a few links to give you all a taste:
http://on.fb.me/blLNz7 and http://www.godecookery.com/twotarts/twotarts.html
http://on.fb.me/ahuGdW and http://www.foodnetwork.com/recipes/giada-de-laurentiis/breakfast-tart-with-pancetta-and-green-onions-recipe/index.html
http://on.fb.me/cNWqvo and http://www.npr.org/blogs/health/2010/09/27/130158014/ben-jerry-s-takes-all-natural-claims-off-ice-cream-labels
---------------------------------------------------
The article on "Food Frauds" is lifted wholesale from http://www.webmd.boots.com/healthy-eating/slideshow-food-frauds

The "Healthy Eating Part 2" article is lifted from a Martha Stewart site.

The Great Plastic Bag Plague was lifted from Alternet.
---------------------------------------------------
And another swiped from Paula Deen:

Spicy Pumpkin Bars here http://www.facebook.com/pages/Cooks-Source-Magazine/196994196748#!/photo.php?fbid=439516966748&set=a.439514776748.238553.196994196748 are these Pumpkin Bars here: http://www.foodnetwork.com/recipes/paula-deen/pumpkin-bars-recipe/index.html
---------------------------------------------------
I'll stop now. You get the idea.
Too bad for her that Griggs didn't.
Shame-shame. What were you thinking, Ms. I-Have-30-Years-of-Experience-and-Apparently-Didn't-Learn-a-Damned-Thing?
Griggs--most of us learn in *kindergarten* that one may experience instant social ostracizing by one's peers for being a "copy cat."  Crayon thieves may be sent to the principal's office.
After this debacle, one might hope you'll be heading for the unemployment line.  While you're qualified for work in the food services industry, I would suggest the only keyboard they let you near is on a cash register where you may ask customers whether they want fries with that burger.
It's gonna be a bit before I pay off my karmic debt for this intense bout of Schadenfreude, but really, I can't help myself. 
Griggs, you brought it all on yourself, so don't blame me for joining the crowd that's pointing you out as a bad apple.
----------------------------------------------------
 Late entry, excellent reading:  http://www.edrants.com/the-cooks-source-scandal-how-a-magazine-profits-on-theft/
The stolen article: http://gawker.com/5681770/magazine-editor-steals-article-tells-writer-you-should-compensate-me 
http://blogs.publishersweekly.com/blogs/genreville/?p=851
Late in--apparently Griggs has a travel magazine, either out or pending, I'm not sure. Round two may be on the way.
For those who have been contacting the magazine advertisers, be assured they are as horrified as the rest of us and have lost income by trusting Griggs.
Please show your support of those merchants by purchasing their products if that is possible.  Many of them paid in advance and won't be getting any refunds.

Monday, November 1, 2010

Squeeeeee!

What do Rachel Caine, P.N. Elrod, Simon R. Green, Laurel K. Hamilton, and Kim Harrison have in common?? 
We're nominees for The Romantic Times Career Achievement Award for urban fantasy!
Thanks to my agent Lucienne Diver for letting me know!!!
Glad I'm not on the judging committee. I wouldn't know who to pick.
I'm going to go faint now.